The Murder…and Happy New Year

by admin on December 31, 2011

New Years Eve.  19XX. A bitter coldness creeps into the bones of those walking the streets on the last day of the year, forcing a deadening chill into the back of peoples’ minds, lurking like a sinister portent. On this day here in the city everyday life is overshadowed by the festivities concerning the changing of the calendar, as the realization that yet another year has slipped swiftly into the past sinks into the minds of many. New Years Eve. A time of reflection. A time to slow down and take stock. Unfortunately for some people however, today Death slows down for no one.

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (5)

Meet Charlie. Growing up all alone in the downtown mission, she’s pretty used to being able to take care of herself. ‘Never even saw your parents’, the old sister used to say, before she too left Charlie. Lung cancer, never smoked. The mission was demolished, the site zoned by the council to pave the way for a new office park, whatever that means, and Charlie ended up in an abusive foster home, which she ran away from after two months.  She drifted for a bit, scrounging leftovers wherever she could to stay alive before some kindly old Italian man took her in and gave her a job doing dishes at his restaurant, until the place burnt down in mysterious circumstances. Alone again, out on the streets, Charlie came to the one realization that would sustain her through the hunger and cold of the years to come: ‘You can’t rely on anyone,’ she said. You can’t rely on anyone, because they always left you for dead in the end anyway.

Twenty-four now, and she still lives by the truth of that precept – except today she knows she’s going to need some real help, because this time around Charlie’s gotten herself in a whole heap of trouble, and it’s the type that ain’t about to go away. Which is how she finds herself in the private suite of D’Angelo May, crime boss and de-facto mayor of downtown.
“You gotta help me Dee,” she says, her smoky sultriness infusing the already charged atmosphere with a sexy undertone. “They know that I’m the one, and they mean business this time around.”

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (2)
D’Angelo is young, but no ones gets to the top in this business without knowing that there is no free lunch.  He’s known Charlie for long enough and he also knows the trouble she’s gotten herself into, and this time there might not be any helping it.  ”Charlie,” he says. “What are you doing coming here. You know I ain’t in the charity business. This thing that you and I might have had before – you understand that I can’t let it get in the way of business right?”
“Dee,” says Charlie, a hint of desperation creeping into her voice. “You owe me.”

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (3)

D’Angelo isn’t about to contest this point. Charlie has definitely been an asset to his organization in the past, and the pair went back a fair way. Clinging to emotional ties however, isn’t what got D’Angelo to where he is today, and so he lapses into silence as he considers his other options.  For a while now the issue of Charlie had been weighing on his mind – she knew far too much about his operations, and even more troubling was the discreet friendship she kept with that cop. It was too risky keeping her around, and now the means for disposing of her had fallen into his lap. He didn’t even have to lift a finger. On the other hand – this was Charlie, but was it worth putting the whole business at risk just to pay back an old debt, no matter how big? The knowledge in her head, the reason why she was being hunted, could implode everything…

“Talk to me Dee,” Charlie’s voice comes cutting through his thoughts. “What do you say?”

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (6)

A long pause. D’Angelo looks troubled. A flicker of resolution crosses his face. “Come back in a couple of hours,” he says. “We’ll figure something out then.”
“Dee, I might not have a couple of hours. These guys are serious.”
“I got some things I need to take care of. Get your stuff together and come back in a couple of hours.”
“Goddamit Dee,” Charlie says. She stands up abruptly. “I hope I don’t regret this,” she says, sweeping out the door into the hotel corridor.
D’Angelo watches her leave in pensive silence.

Out in the cold Charlie slips into a payphone. Coins clunk into the slot as she punches a number in. D’Angelo might be prepared to help her but Charlie didn’t trust him that far, and besides, she was never one to hedge her bets. There was only one other person who might be able to help her out of her jam.

The phone was answered after two rings. “Dirk,” she says. “I need your help. Come meet me. Bring the package.”

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (7)
In a secluded park downtown Charlie meets her old friend Dirk in their usual spot. He hands over the package, which quickly disappears inside her bag.
“You don’t have to do this, you know,” Dirk says. “you can just get out of this game, you and I, we can go somewhere where they can’t find us.”
Charlie’s midnight curls sway with a short, vehement shake of her head. “Not this time Dirk. I’m in this too far and we both know it. They won’t stop until I’m dead, or I take them down. This package -” she pats her bag protectively, “- what’ll let me do that.”

Dirk stares at her with a look halfway between longing and anguish.  ”You didn’t have to get mixed up in this you know,” is all he says. “If you back out now, it won’t be too late.” His voice leaden with portent, like he knows something he shouldn’t. But Charlie doesn’t catch the drift. She looks back with a cool, bemused gaze. “I have to go through with this Dirk, and you know it. Thank you for everything you’ve done up until now.”

She checks her watch – thirty minutes to midnight. Time to go back to see D’Angelo. Gracefully she turns and starts up the hill towards the hotel. Looking back over her shoulder, coat flapping in the breeze, she calls over her shoulder “You won’t have to worry about me anymore after tonight, Dirk. Everything’s going to be put right again.”  And with a mischievous smile she adds: “Happy New Year, sweetheart.”

Dirk just stands there, his eyes lost to shadow, his expression unreadable, watching until she vanishes around the corner.

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (9)

11:50pm. Detectives Jamie Kirkwood and Dirk Tazelaar are called in to a crime scene. Downtown hotel, executive suite. Some broad got herself dead, no one knows how. The emergency call came from the room itself. Jamie may be a young be a young detective but he’s been on the streets long enough to know when things don’t add up. He flashes his badge at the CI outside the hotel room and they duck the tape to get a good look at the scene.

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (1)

Something definitely didn’t add up here. Jamie takes in the room with a quick sweep of his practiced eye. Blood on the wall, spots of blood on the bed. No visible wounds on the broad. No contusions on the neck to suggest strangling. No signs of a struggle. The paltry contents of her expensive bag scattered over the room. No wallet, no ID. An empty box. Robbery? No, this scene was too…strange to be a simple robbery.

“Something weird is going on here boss,” he says.  No reply.  Turning, he sees Det. Dirk standing over the broad, staring, face white as a sheet.  ”Boss? What happened? You know her?”
Dirk startles from his reverie. “No,” he replies.  ”Never seen her. Sure was one hell of a looker though.”

Jamie bit his tongue. In the short time he’d been working with Tazelaar, his instinct told him that things weren’t all they seemed with the older detective. Maybe he was on the take. Maybe he was mixed up with this broad somehow. Who knew. Jamie knew about the system of corruption that went deep in the downtown precinct, just as he knew he was powerless to stop it. What he knew he could do though, was help this poor lady find her killers, so that she might sleep a bit easier. That was what he joined up for. To make sure no one else had to go through what he had gone through. Absently he fingered the wedding band on his left hand.

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (8)

One thing was for sure though, the girl, whoever she had been, was one hell of a looker. You could tell that at a glance. What racket had she been involved in? Drugs? High class prostitution? None of those seemed to fit.

“What have you done, sweetheart, to get yourself killed right before the new year,” Jamie murmurs. “Why would someone possibly have a grudge against you?” Dirk is silent, his face impassive.

A more detailed sweep of the room reveals no further clues to the two detectives as to how she died. There was nothing for it. The broad would have to be taken down to the shop to find out exactly what did it in for her. As the CIs bag her, the clock ponderously chimes midnight, a death knell for the old year, and to things that will be forever lost with it. As Jamie steps out to make a call to central, Dirk kneels over to fill out the tag.

Tokyo Editorial Photographer Irwin Wong Commercial photography, the murder (4)

Name: Charlene NLN*

DoD: 12/31/19XX

For a moment he finds himself alone in the room with Charlene. “Good bye Charlie,” he whispers. “I hope whatever drove you to take on this crusade was worth it.” As the clock strikes twelve and the last sight of Charlene’s body is hauled out of sight, nothing is left inside but the relentless chill, and the fitfully shifting dust of the soul. “Happy New Year, sweetheart,” Dirk mutters. Turning up the collar of his winter coat, he stalks past Jamie into the cold of the night. “Happy New Year…”

*NLN = No Last Name

Tokyo Photographer Irwin Wong Commercial and Editorial Photography

 

Happy New Year everyone!! Wishing you all the best for 2012, the year of the Dragon!

{ 11 comments }

Motorhead + Carhartt

by admin on December 28, 2011

In my last post I mentioned that I was doing some photos for a Japanese car magazine called Motorhead – these guys are definitely doing some of the most creative and interesting stuff in the Japanese auto-mag world. Here’s hoping I have a chance to travel for one of their features soon. I’d like Finland please.

Anyway! The magazine and a certain apparel label called Carhartt were doing a special giveaway of specially-designed jackets bearing the Motorhead logo. Pretty expensive stuff, as the jackets themselves weren’t cheap, so I don’t want to imagine how much the custom logo was. No chance of me picking up a freebie this time, so I’ll have to be content looking at the promo images I shot for the magazine.  The model you see there is Andre, a good friend of mine – he’ll be appearing in other posts in the near future, I wager :D .  The car is a beastly V8 Range Rover, which was a joy to ride around in the whole day as spacious cars in Tokyo are at quite a premium.

Lighting-wise I used the combination of the Profoto small fresnel (kindly on loan from Profoto Japan) and the Photek Softlighter on a pair of Profoto D1s hooked up to a Batpac.  What a great combination – the small fresnel is a photographer’s dream accessory for restricting light – it has a closable iris that allows you to control the spread of light, and the fresnel glass front softens the edges of the light, giving it some really nice falloff.  In combination with the Softlighter, which is basically a massive octa, you can get some pretty cool results using the old key+fill two light technique.  I’ve put some shots and outtakes from the shoot in this post. Enjoy!

Tokyo Photographer Irwin Wong | Car photography, fashion, editorial (3)
Tokyo Photographer Irwin Wong | Car photography, fashion, editorial (6)

Tokyo Photographer Irwin Wong | Car photography, fashion, editorial (5)

Tokyo Photographer Irwin Wong | Car photography, fashion, editorial (4)

Tokyo Photographer Irwin Wong | Car photography, fashion, editorial (2)

Tokyo Editorial Photographer Irwin Wong | Cars, fashion, editorialTokyo Photographer Irwin Wong | Car photography, fashion, editorial (1)

Yes I know the English is wrong at the top (it should be ‘The World’s Greatest Custom Culture Magazine’), but they’ve fixed it for the next issue.  Too bad they didn’t consult with me before they made the jackets though.

 

 

{ 4 comments }

Vitantonio Luizzi

by admin on December 26, 2011

Just a short while ago I had the privilege of photographing Vitantonio Luizzi, who’s an Formula 1 driver with the team Force India.  What was different and a little bit special about this particular shoot is that Luizzi personally modeled for us his own brand of clothing, at a Japanese racetrack, on a race day. Not his own race day of course; I think it was Formula 3 or something whizzing around the course while we were shooting in an actual pit with the crew working around us. Kind of daunting of course, because I’m pretty sure I don’t have the kind of insurance that covers me if one of my lightstands crashing down on one of those cars (I should probably check that actually). As for even getting permission to shoot in a live pit, well, it certainly helps to have a well known Formula 1 driver to open doors for you, especially if everyone is asking for his autograph. Not being a fan of F1, or any racing in particular, it kind of helped me realize that hey, I was actually photographing someone of stature. Luckily, the race finished and after a while only the pit crews were left, so we were able to relax a bit and concentrate on the shooting.

Back to the clothing – Luizzi runs his own fashion label, which pretty much seems to be really comfortable shirts and trousers for people who find themselves on a plane all the time (like himself).  Pretty much the kind of clothing I’d wear all the time if I could pull it off.  Not sure how pricey it is but the brand is called 4Clyde for men’s label, and 4Bonnie, for the women’s label.

Here are some shots from the day – you can find the 4 page spread in Motorhead magazine, if you live in Japan!

More shots from other photoshoots coming up soon!
Tokyo Photographer Irwin Wong | Portrait, Vintantonio Luizzi (5)

Tokyo Photographer Irwin Wong | Portrait, Vintantonio Luizzi (4)

Tokyo Photographer Irwin Wong | Portrait, Vintantonio Luizzi (3)

Tokyo Photographer Irwin Wong | Portrait, Vintantonio Luizzi (2)

Tokyo Photographer Irwin Wong | Portrait, Vintantonio Luizzi (1)

 

 

{ 0 comments }

AERA End of Year Party

by admin on December 22, 2011

This year I had the great privilege to start shooting for AERA, which is a weekly magazine who are said to be extremely picky about their photographers.  They’re part of the Asahi Shimbun publishing company, but the AERA section deals with more focused issues than the newspaper, and has a stable of very talented photographers, of which I’ve somehow managed to become a part of.  Was kind of a reality check when I went in earlier this year to show the photo editor my portfolio. After glancing through my book he gives me an hour-long critique/lecture on areas that need improvement, and what I should do to make my book look better for prospective clients down the road. After all that, he looks me in the eye and says: “You could be first class if you really wanted to be. Try harder.”

Talk about tough love.  Inspirational though.

Then he seems to remember that I’m not here for a portfolio review. “So why did you come here?” he asks.

After sitting through an hour of haranguing, I’ve pretty much given up hope of shooting for them, but in for a penny, in for a pound, so I say that I was hoping I could work for them.

“Maybe,” was pretty much the response I got. And that was that.

Several weeks later though, my phone rang. Full page portrait. And I’ve been shooting for them ever since that.

Couple of weeks ago the photo section of AERA had an end of year party. Was totally a great experience to meet Japanese photographers with way more experience and talent than me, and it was really, really inspirational to feel like a part of that. Of course, being the new guy, and the only foreigner to boot, no one knew who I was. Everyone was super nice though. Hope I can lift my game enough to get some street cred soon!

Of course, this being the photo section’s end of year party, there had to be a group shot at the end. Probably one of the hardest assignments of the whole year, having to wrangle around thirty roaring drunk photographers and designers into the one frame. In the end though, it went alright.

Tokyo Photographer Irwin Wong | Portrait photographer

Although, not everything went completely to plan…

Tokyo Photographer Irwin Wong | Portrait photographer

Well, I guess that happens when you get a bunch of photogs in the one room.  I’m the guy third from the right in the front row.  And yes, the cigarette was my idea…

{ 0 comments }

Eva and Craig

by admin on December 22, 2011

They got engaged in Tokyo – congrats guys!! More wedding photography at www.tokyoweddingphotography.com (haven’t had time to officially open the site yet, but hoping to do that over the new years break)

Tokyo Wedding Photography (19)

Tokyo Wedding Photography (18)

Tokyo Wedding Photography (17)

Tokyo Wedding Photography (16)

Tokyo Wedding Photography (15)

Tokyo Wedding Photography (14)

Tokyo Wedding Photography (13)

Tokyo Wedding Photography (12)

Tokyo Wedding Photography (11)

Tokyo Wedding Photography (10)

Tokyo Wedding Photography (9)

Tokyo Wedding Photography (8)

Tokyo Wedding Photography (7)

Tokyo Wedding Photography (6)

Tokyo Wedding Photography (5)

Tokyo Wedding Photography (4)

Tokyo Wedding Photography (3)

Tokyo Wedding Photography (2)

Tokyo Wedding Photography (1)

 

 

{ 0 comments }

Steve & Chantal

by admin on November 1, 2011

Congratulations!!

(To see the post about the awesome albums that I made for them go here. 25% off photobooks to the next 10 couples who get their engagement or wedding photos done with me!)

(Sorry for the hugeness of this post, hope I don’t kill your bandwidth!)

Tokyo Photographer Irwin Wong Weddings (187)

Tokyo Photographer Irwin Wong Weddings (186)

Tokyo Photographer Irwin Wong Weddings (183)

Tokyo Photographer Irwin Wong Weddings (181)

Tokyo Photographer Irwin Wong Weddings (178)

Tokyo Photographer Irwin Wong Weddings (176)

Tokyo Photographer Irwin Wong Weddings (175)

Tokyo Photographer Irwin Wong Weddings (173)

Tokyo Photographer Irwin Wong Weddings (169)

Tokyo Photographer Irwin Wong Weddings (168)

Tokyo Photographer Irwin Wong Weddings (167)

Tokyo Photographer Irwin Wong Weddings (160)

Tokyo Photographer Irwin Wong Weddings (159)

Tokyo Photographer Irwin Wong Weddings (158)

Tokyo Photographer Irwin Wong Weddings (157)

Tokyo Photographer Irwin Wong Weddings (154)

Tokyo Photographer Irwin Wong Weddings (152)

Tokyo Photographer Irwin Wong Weddings (151)

Tokyo Photographer Irwin Wong Weddings (150)

Tokyo Photographer Irwin Wong Weddings (146)

Tokyo Photographer Irwin Wong Weddings (145)

Tokyo Photographer Irwin Wong Weddings (140)

Tokyo Photographer Irwin Wong Weddings (139)

Tokyo Photographer Irwin Wong Weddings (137)

Tokyo Photographer Irwin Wong Weddings (136)

Tokyo Photographer Irwin Wong Weddings (135)

Tokyo Photographer Irwin Wong Weddings (133)

Tokyo Photographer Irwin Wong Weddings (131)

Tokyo Photographer Irwin Wong Weddings (130)

Tokyo Photographer Irwin Wong Weddings (129)

Tokyo Photographer Irwin Wong Weddings (128)

Tokyo Photographer Irwin Wong Weddings (125)

Tokyo Photographer Irwin Wong Weddings (123)

Tokyo Photographer Irwin Wong Weddings (120)

Tokyo Photographer Irwin Wong Weddings (117)

Tokyo Photographer Irwin Wong Weddings (115)

Tokyo Photographer Irwin Wong Weddings (113)

Tokyo Photographer Irwin Wong Weddings (112)

Tokyo Photographer Irwin Wong Weddings (110)

Tokyo Photographer Irwin Wong Weddings (106)

Tokyo Photographer Irwin Wong Weddings (105)

Tokyo Photographer Irwin Wong Weddings (104)

Tokyo Photographer Irwin Wong Weddings (103)

Tokyo Photographer Irwin Wong Weddings (99)

Tokyo Photographer Irwin Wong Weddings (94)

Tokyo Photographer Irwin Wong Weddings (93)

Tokyo Photographer Irwin Wong Weddings (91)

Tokyo Photographer Irwin Wong Weddings (90)

Tokyo Photographer Irwin Wong Weddings (87)

Tokyo Photographer Irwin Wong Weddings (84)

Tokyo Photographer Irwin Wong Weddings (83)

Tokyo Photographer Irwin Wong Weddings (81)

Tokyo Photographer Irwin Wong Weddings (74)

Tokyo Photographer Irwin Wong Weddings (70)

Tokyo Photographer Irwin Wong Weddings (69)

Tokyo Photographer Irwin Wong Weddings (67)

Tokyo Photographer Irwin Wong Weddings (66)

Tokyo Photographer Irwin Wong Weddings (64)

Tokyo Photographer Irwin Wong Weddings (63)

Tokyo Photographer Irwin Wong Weddings (62)

Tokyo Photographer Irwin Wong Weddings (61)

Tokyo Photographer Irwin Wong Weddings (59)

Tokyo Photographer Irwin Wong Weddings (53)

Tokyo Photographer Irwin Wong Weddings (52)

Tokyo Photographer Irwin Wong Weddings (51)

Tokyo Photographer Irwin Wong Weddings (49)

Tokyo Photographer Irwin Wong Weddings (48)

Tokyo Photographer Irwin Wong Weddings (47)

Tokyo Photographer Irwin Wong Weddings (46)

Tokyo Photographer Irwin Wong Weddings (42)

Tokyo Photographer Irwin Wong Weddings (40)

Tokyo Photographer Irwin Wong Weddings (39)

Tokyo Photographer Irwin Wong Weddings (34)

Tokyo Photographer Irwin Wong Weddings (15)

 

 

{ 2 comments }

Photobooks

by admin on October 17, 2011

Photobook manufacturers Memomiio recently contacted me to make several books for their showcase.  Seeing as I’d just finished shooting a wedding for a couple in Melbourne I decided to make two types of books; a wedding photo book for that side of my business, and a portrait portfolio for the editorial/commercial side of my business.

Here’s the finished product for the wedding album, and I have to say I’m really impressed with the binding and print quality.  The best parts are the thick photo-board style pages and the lay-flat binding which makes designing two page spreads really satisfying. The one pictured below is 40x30cm and super heavy (about 3kgs). Gotta say I’m loving the quality though.

Which brings me to a fairly cool announcement – the first 10 couples who hire me for engagement/wedding photography get 25% off any album they order, which, I have to say, is huge. They start at around 30,000 for the 20 page 40x30cm book (the one pictured below is 40 pages). So if you’re getting married anytime soon in Tokyo, drop me a line if you want to take advantage of this deal.

More to come (plus the actual shots from the wedding) in the next few days!

How I shot this:

All done at home in my impromptu macro studio. A more in depth post on this to come.

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (26)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (22)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (20)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (16)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (12)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (11)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (10)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (8)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (7)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (6)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (5)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (2)

 

 

 

 

{ 1 comment }

Sebastien + Yumiko

by admin on October 16, 2011

A wedding I photographed recently @Nogi Shrine and Kaitei, Hamamatsucho.

Congratulations!

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (3)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (5)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (6)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (8)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (13)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (18)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (22)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (23)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (27)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (35)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (38)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (40)

 

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (42)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (46)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (49)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (51)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (53)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (56)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (68)

 

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (78)

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (79)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (80)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (81)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (87)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (89)

 

 

 

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (90)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (93)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (95)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (97)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (99)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (101)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (103)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (105)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (106)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (107)

Tokyo Photographer Irwin Wong | Wedding photographer in Japan (109)

 

{ 3 comments }

Portrait: Speech from Arrested Development

by admin on October 5, 2011

Just a quickie post for today – here’s an all-natural light portrait of Speech, the lead singer from the R&B band Arrested Development (not to be confused with equally as excellent television show).  Shot with my beloved and increasingly rare 135mm f/2 DC (I promise not to drop it again).  There aren’t really any other technical details that I can share about this shot that are too groundbreaking, but yes it was shot without flash (felt weird), and I love how selective you can be with the 135mm, although it’s not to the extent of a tilt-shift of course.

Anyway, that’s all for now, more to come later!

Tokyo Photographer Irwin Wong | Portraits, musicians, artists (1)

 

Tokyo Photographer Irwin Wong | Portraits, musicians, artists (2)

 

{ 0 comments }

New Strobist Post – Maki Kawakita

by admin on October 3, 2011

Image copyright to Maki Kawakita.

Hey everyone, I know that two posts in one day is pretty rare for me these days but I’m really pleased to announce that my second post on Strobist.com is up!  This time I interview Japanese commercial photographer Maki Kawakita about her epic approach to lighting Japanese rockers Glay. Some pretty good lighting tips as well as an idea for commandeering an hotel lobby for a 12 light setup (hint; it actually wasn’t too difficult). Here’s the link for anyone interested, comments welcome!

http://strobist.blogspot.com/2011/10/maki-kawakitas-theatrical-light.html

{ 1 comment }